In Coralie Fargeat's new feminist horror movie The Substance, hazardous societal charm criteria are the actual beasts. They (female objectification, the disposal of "the old," the proliferation of a market built on body modification) feed a creature of a pattern that leads Demi Moore's fading TV personality character Elisabeth https://seanpennfans.blogofoto.com/61210572/margaret-qualley-the-substance